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Oftentimes, that’s true: A star can turn on their charisma, not just for performances, but in person, for interviews; they can transmute it in photos. The Rock thinks he’s great at it, which means he’s just okay at it. Jordan might be the closest we have to a pure contemporary embodiment of the deeply charismatic male star.Cary Grant is the apotheosis of this understanding, but Tom Cruise was once spectacular at it, as was Will Smith. At the heart of each of these men’s images was that beguiling appeal, that soft seduction, that thing that made you want to be around them and think the best of them — it allowed you to forget or ignore the gentle trickery of the Hollywood image machine.He even told Interview as much, when asked if he’d ever do a comedy: “I’d love to, it’s just got to be the right one,” he said.“When I work, I take it super-seriously, but when you get to know me, man, I’m not, I laugh as much as possible.
He was no longer a star-to-be, but an also-ran whose career was in rehab.(Peak Riggins humor: when he tells his infant nephew to “Keep your guard up, stay angry.”) At the time, Kitsch was so good at playing Riggins that it was easy to extrapolate that Kitsch himself was Riggins-esque: He had been essentially unknown before the role, so whatever details you learned about his life (he grew up in a trailer park in British Columbia; he played hockey) were easy to map onto the Riggins character framework.What’s more, like the rest of the Friday Night Lights cast, he improvised most of his dialogue — Riggins-speak is Kitsch-speak.He knows he’s hot, and finds that fact — and the conversations around it — deeply hilarious.Publicists, managers, agents, profile writers, maybe even Kitsch himself, all seemingly forgot that Kitsch is funny.